RAMI

Il Conservatorio Paganini è socio fondatore di RAMI (Ricerca Artistica Musicale Italiana).

Progetto Analisi del Movimento dei Musicisti

Il progetto, collegato ad un analogo progetto in fase di realizzazione negli Stati Uniti, finanziato dalla National Science Foundation, vede la collaborazione tra l’Università degli Studi di Genova, l’Accademia Marquette University and Michigan State University, il Music Institute of Chicago ed il Conservatorio N. Paganini di Genova, ha lo scopo di comprendere il ruolo del Sistema nervoso Centrale (CNS) nel controllo dei movimenti di un musicista mentre suona il proprio strumento. Protocollo di Collaborazione.pdf

I Meeting Working Group on Shaping the Musician of Tomorrow Through Innovative Learning and Teaching (Platform for Learning and Teaching)

Shaping the musician of tomorrow through innovative learning and teaching (L&T). Specific Goal: To provide new L&T models enabling Music HEIs to educate creative and communicating musicians. This strand will be coordinated jointly with the Centre of Excellence in Music Performance Education (CEMPE) of the Norwegian Academy of Music. Jon Helge Saetre – NMH Oslo (chair) Stefan Gies – AEC (co-chair) Lars Brinck – Rhythmic Music Conservatory, Copenhagen Marina Chiche – Hochschule für Musik Trossingen Anna Maria Bordin – Conservatorio Paganini Genova Susanne van Els – Conservatorium Maastricht Siri Storheim – Student representative Kjersti Johansson – NMH Oslo (Project Team) Date: February 5th, 2018, 14:00-18:00 / February 6th, 2018, 09:00-12:00 Location: Conservatorio Niccolò Paganini, Via Albaro, 38, 16145 Genova, Italy

The GEO project

The GEO project (Galata Electroacoustic Orchestra) is inspired by the historical relations between Genova and Istanbul. The general objectives of GEO IP were: 1) to found the Galata Electroacoustic Orchestra, based on the idea of live collective composition; 2) to merge of the Western Classical tradition of score-based music and the improvisational techniques, in particular of Turkish Maqam Music. Since the beginning of the 20th century the extra-European music and the traditional folk music become a true source of inspiration for Western composers. GEO tried to overcome this deficiency with a multidisciplinary didactical approach to the specific subject and to his current potential, thanks to the support by new technologies. The main aim was to create a “dialogue” among digital and traditional instruments and performance practices. According to our opinion the conceptual and technological tools of the Electroacoustic Music – a truly new musical language based on the idea “to compose THE sounds, not only WITH the sounds” – are fit for creating a contiguity and a linguistic penetration to let ideas and new experiences spring into action. The GEO IP activities were divided in Lectures, Workshops and Laboratories. With the idea to melt different cultural and musical instruments (2 acoustic, 2 laptops), 8 different groups with 4 students each have been created during the workshops. For the concert, titled “Compasso da navegare”, we adopted as a guide metaphor for collective composition the sealing map (portolano): when a ship docks, the goods – in our case: the musical products – from one country are unloaded and goods from another country are loaded. The learning outcomes achieved are mainly related to the acquisition of skills and abilities in the following disciplinary areas: theoretic, ethnomusicological, technological, performing and compositional. The main outputs of the GEO IP project are: – “Compasso da navegare”, a concert by the Galata Electroacustic Orchestra, performed in 2013 in Genova old harbour and in 2014 at La Biennale di Venezia Music Festival (for that concert GEO got a 2015 Premio Abbiati, the Italian Critics’ Award). – a booklet and a documentary DVD on the IP experience. GEO is a Lifelong Learning Programme IP n° 2012-1-IT2-ERA10-38878 Coordinator Conservatorio Statale di Musica “Niccolò Paganini” di Genova Partners Istanbul Bilgi Üniversitesi, Istanbul Teknik Üniversitesi, Universitat Pompeu Fabra – Barcelona, Conservatorio Statale di Musica “G. Pierluigi da Palestrina” di Cagliari. Il progetto è condotto da Roberto Doati. Articolo Atti del Convegno.pdf

Music UP 10 Project. Fifth International Symposium of Music Pedagogues

What schooling for enfants prodiges? The role of pedagogical knowledge in music comes spectacularly to the fore in training courses for highly gifted children. In this context, sadly considered out of the ordinary, musical pedagogy finds itself having to furnish its most refined skills in an evident conflict with one of the universal assumptions of general pedagogy, namely, the constant stress on a child’s psychophysical balance. While this important and sophisticated dynamic balance has been defined by cognitive and behavioural standards in constant evolution but socially and culturally known, highly gifted children typically display a significant alteration in the parameters most affected in its definition. In particular, they often possess a very high IQ along with unusual psychological and behavioural traits, in addition to their exceptional musical qualities and potential. Musical training courses dedicated to them have taken into serious consideration all the scientific studies useful to optimize time, energy and results, and are differentiated from typical courses, as well as from each other, precisely in the different balance between specific musical skills and psycho-pedagogical tools. We therefore asked ourselves what importance the pedagogical contribution actually has in these special courses and to what extent it can prove empowering and/or fundamental with respect to the anticipated results. The possibility to trace a clear relationship between the pedagogical actions used and the determined instrumental results found offers food for thought that is useful in correctly including special training in musical institutions, providing them with suitable organizational means and intellectual resources. The Fifth International Symposium of Music Pedagogues, “Music Pedagogy in the Context of Present and Future Changes”, will take place at the Juraj Dobrila University in Pula (Croatia), from 18 to 20 May 2017.

European Researchers’ Night

It is a Europe-wide public event dedicated to popular science and fun learning. It takes place each year on the last Friday in September. More than 30 countries and over 300 cities are involved. The project presented in Pavia for the 2016 edition was developed jointly by the National Institute of Nuclear Physics, the Department of the nervous system and behavior of the University of Pavia and the Department of Research of the Paganini Conservatory of Genoa.

GOG CARD 2025 scontata

Pubblichiamo quanto di seguito ricevuto dalla GOG: vorremmo comunicare a tutti gli studenti del Conservatorio che il costo della GOG CARD, che permette l’ingresso ai restanti 15 concerti della Stagione al Carlo Felice, è stato ribassato a €30! Per voi giovani studenti strumentisti e amanti della musica abbiamo pensato di aggiungere in regalo una shopper a tracolla della GOG sperando vi sia utile e porti in giro insieme a voi un messaggio a chi magari ha scordato o ancora non sa che a Genova si può ascoltare musica bellissima. Per facilitare l’adesione sarà possibile effettuare il pagamento anche la sera al concerto previa email con dati anagrafici, numero di cellulare* e indirizzo* (per chi non è mai stato abbonato*). Rimangono valide le altre modalità, quindi pagamento con bonifico bancario sul conto IT70E0100501400000000018141 indicando nome e cognome del versante, telefonicamente con carta di credito (010 8698216), oppure recandosi nei nostri uffici in Galleria Mazzini 1/2a (lun>ven 10>16) Ricordiamo che il primo concerto dell’anno sarà lunedì 13 con il pianista Andrea Lucchesini che eseguirà brani di Berio e Chopin. Fra gli altri eccezionali solisti, da non perdere i pianisti Arcadi Volodos (3 febbraio) e Alexandra Dovgan (28 aprile) e Mario Brunello nell’ultima “tappa” del suo “tutto Bach” al violoncello e violoncello piccolo (17 febbraio). Memorabili anche le serate con i Tallis Scholars di Peter Phillips (20 gennaio), la Stuttgart Philharmonic Orchestra diretta al pianoforte da Lera Auerbach (27 gennaio), i duo violino-pianoforte formati rispettivamente da Alena Baeva e Vadym Kholodenko (24 febbraio) e Leonidas Kavakos ed Enrico Pace (5 maggio), Fedra Ensemble nel programma “Da Monteverdi a Lucio Dalla” (7 aprile) e l’incontro fra due magnifici quartetti, il Doric String Quartet e il Cuarteto Quiroga (24 marzo). Vi invitiamo a diffondere il più possibile questa che consideriamo una bella opportunità e speriamo di vedervi presto a teatro! la GOG

Selezioni Bando Borsa di Studio Fondazione Vincenzo Longo e Clara Rubbi per gli Studenti del Conservatorio Niccolò Paganini – a.a. 2024/2025

Fondazione Vincenzo Long e Clara Rubbi

Si pubblica la nota direttoriale prot. n. 2842/IB del 05.08.2025, relativa alle Selezioni Bando Borsa di Studio Fondazione Vincenzo Longo e Clara Rubbi per gli Studenti del Conservatorio Niccolò Paganini – a.a. 2024/2025. Le selezioni per la Borsa di Studio si terranno martedì 14 ottobre 2025 a partire dalle ore 11.00 nel Salone della Sede di Albaro.

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